/libneil/share/doc/zzub/plugins/fuk_o_delay/index.html

https://bitbucket.org/bucket_brigade/neil/ · HTML · 45 lines · 34 code · 11 blank · 0 comment · 0 complexity · e742035f33e162b7ce49dd2d00a5ee76 MD5 · raw file 

    

  1. <html>

    2. 

  2. 

    3. 

  3. <head>

    4. 

  4. <meta http-equiv="Content-Type"

    5. 

  5. content="text/html; charset=iso-8859-1">

    6. 

  6. <meta name="GENERATOR" content="Microsoft FrontPage 4.0">

    7. 

  7. <title>Machine Help</title>

    8. 

  8. </head>

    9. 

  9. 

    10. 

  10. <body bgcolor="#FFFFFF">

    11. 

  11. 

    12. 

  12. <p align="center"><font size="7">Frequency UnKnown Buzz Machine</font></p>

    13. 

  13. 

    14. 

  14. <p align="left"><font size="5">Name: O-Delay</font></p>

    15. 

  15. 

    16. 

  16. <p align="left"><font size="5">Type: Effect/Delay</font></p>

    17. 

  17. 

    18. 

  18. <p align="left"><font size="5">Re-Release #1: The effect is fixed and does not

    19. 

  19. lose track of time now.</font></p>

    20. 

  20. 

    21. 

  21. <p align="left"><font size="5">Parameters: Left and Right settings for: Delay,

    22. 

  22. Feedback, Input. Other settings are Dry Thru and X-Delay amount.</font></p>

    23. 

  23. 

    24. 

  24. <p align="left"><font size="5">About: This effect is a slightly novel way of

    25. 

  25. implementing a delay. For left and right channels, there are three parameters.

    26. 

  26. 'Delay' sets the length of the delay in ticks/16. 'Feedback' sets the level of

    27. 

  27. the delay output being fed back to the delay input. 'In' sets what level of the

    28. 

  28. machine's input from other machines is fed into the delay. 'Dry Thru' sets the

    29. 

  29. level of input that appears instantaneously at the output. 'X-Delay Amt' sets

    30. 

  30. the level of output appearing on one delay that is fed back into the other

    31. 

  31. delay.</font></p>

    32. 

  32. 

    33. 

  33. <p align="left"><font size="5">Notes: The machine is incredibly versatile with

    34. 

  34. this much routing customisation and can make sounds approaching reverb and

    35. 

  35. guitar amp feedback rather than a delay sound.</font></p>

    36. 

  36. 

    37. 

  37. <p align="center"><font size="6">Frequency UnKnown/Aybiss/Aaron

    38. 

  38. Oxford</font></p>

    39. 

  39. 

    40. 

  40. <p align="center"><a href="mailto:aybiss@hotmail.com"><font

    41. 

  41. size="5">aybiss@hotmail.com</font></a><font size="5"> / </font><a

    42. 

  42. href="mailto:Aaron.Oxford@studentmail.newcastle.edu.au"><font

    43. 

  43. size="5">Aaron.Oxford@studentmail.newcastle.edu.au</font></a></p>

    44. 

  44. </body>

    45. 

  45. </html>
    46.